Category: talks

Stranger Playthings: Remaking a VR counterculture

The second coming of Virtual Reality is a convergence of different technological traditions with different aesthetics, goals, and strategies. In this talk given at the A MAZE and Game Happens festivals in 2017 I tried to question the current narratives supporting the idea of VR as a mass-consumer product, and recuperate some of the visionary and countercultural ideas that went out of fashion since the early ’90s.

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SimCities & SimCrises

I had the honor to be one of the keynote speakers for the first International City Gaming Conference in Rotterdam last month. The conference, mainly attended by city planners and architects, looked at how games can facilitate more effective and inclusive city-making. Here’s the transcript of my talk (a similar version was presented a year ago at the Screenshake festival in Antwerp): http://molleindustria.org/GamesForCities/

The Great Art Upgrade – DiGRA 2013

This talk was delivered as keynote for the Art History of Games conference, that took place during DiGRA 2013. While the infamous Can Games Be Art? question is now being carefully avoided like an inappropriate text you sent while drunk, some references and questions may still be valuable to the world beyond the small group of scholars that gathered in that hotel basement in Atlanta. It’s a minimally edited transcript/note dump, please forgive the informal tone.

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Making Games in a Fucked Up World – G4C 2014

These are the slides and the edited notes from a talk I gave at the Games for Change Festival in New York. The talk was targeted to that specific audience (bureaucrats from the nonprofit industrial complex, TED-style technopositivists, game advocates…). Certain parts such as my take on metrics and social change, which may seem obvious to most people, were actually quite inflammatory in that context.
You can find a video of the talk here plus Q&A.

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Invisible Walls, Puffy Clouds, and the Unheavenly World Behind Them

This is the transcript of a minitalk I gave at Lost Levels 2014, an “unconference” happening during the Game Developers Conference (maybe a bit too square and academic for that casual environment). It’s a topic I’ve addressed in every single talk in the last 10 years or so, but I thought it could benefit from a bit of framing and some nice pictures.

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Videogames and the Spirit of Capitalism

This is a talk I gave at Indiecade East 2014 (remotely due to snow-related flight cancellation). It’s based on an text I wrote for the catalog of Time & Motion: Redefining Working Life, an exhibition at FACT gallery in Liverpool. It’s also meant to be a companion piece for the game To Build a Better Mousetrap.

You can read the original text below which, being targeted to a different crowd, explains games a little bit more and the problem with capitalism a little bit less.

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Fucking polygons, fucking pixels: On procedural representations of sex

Arse Elekronika (not to be confused with the similarly sounding, slightly more established new media art festival in Linz) is the most important conference investigating the intersection of sex and technology. The past six editions revolved around themes like porn as innovation driver, sexuality in science fiction or body enhancements. This year the emphasis was on games and the three day festival included performances, workshops, and an eclectic mix of lectures: from the challenges of simulating sexual intercourse in Nordic LARPs to the dating strategies among volunteers in disaster zones, from the physics of vibrators and sex machines to the auto-ethnography of masturbation…
My talk simply dealt with the procedural representation of sex in videogames. I publish the presentation here, along with most of the images and videos I screened. The text is a transcript quickly adjusted to the written form so forgive me for the colloquial style, the repetitions and the wonky grammar.

Summary
What is the role of sex in the functionalist worlds of videogames? How come that modeling intercourses through cybernetic systems seems only to produce hilarious, problematic and delightfully reductionist outcomes?
In this gonzo survey of playable coitus, I descend from the prudish polish of AAA games to the subappreciated subterranean genre of interactive pornography (so you don’t have to) and then re-emerge to envision alternative design approaches for healthy, sex-positive, post-pornographic, radical games.

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